Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people in fact take pleasure in using, and the need to produce at scale without compromising the environment or the bottom line. That tension has shaped how I pick inks, pretreatments, and fabrics for custom-made garments projects. Throughout the years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely results and real convenience, specifically for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand, handle bulk t t-shirt orders, or merely want your personalized shirts to seem like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The best option can make the difference between a shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks absorb into the fibers. That single particular discusses the majority of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the t-shirt itself. For custom t shirts created for convenience, this is the path to the "retail feel" customers ask for.
There are 2 main households: standard water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either need a heavier print or you switch to discharge. Discharge printing utilizes an activator that raises the color from the fabric during treating, essentially bleaching the t-shirt's color in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks generally include less unstable natural substances than solvent-heavy options and prevent PVC entirely. Many are compliant with stringent requirements like Oeko-Tex or fulfill retail screening regimes that ban certain phthalates and heavy metals. If you sell custom apparel into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to take a look at shop practices: filtering on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, direct exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most individuals do not purchase a graphic tee due to the fact that they enjoy the ink. They purchase it because the garment looks good, feels great, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you extend throughout the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own color. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still dealing with a background that is moving as the color is removed.
That's not a defect, it becomes part of the medium. Many designers embrace the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color reproduction for business logos, either order test prints on the exact batch you plan to utilize or consider a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton part. That implies your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system may custom patches near me be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that appear as blank micro-gaps. If you should print on finished garments, expect little voids along joints, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print space humidity in a stable range, roughly 45 to 55 percent, to prevent early drying. Manual press operators personalized gifts will notice how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant rate, decrease clogging.
Curing is where lots of beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the distinction. You desire even heat across the belt and adequate dwell to reach the manufacturer's treatment temperature throughout the ink layer, not simply at the surface. Shirts exiting the tunnel must be dry to the touch without any cool spots. For discharge, the chain reaction occurs during this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on proper remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints show steady softening and a mild fade in the very same way denim unwinds. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For tailored t-shirts that need to look proficient at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, autos perform at comparable speeds. Where it really settles is in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires over night turnaround and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with multiple colorways and should keep stock flexible, a flexible water based combination on light garments is efficient, since you prevent the weight and stiffness that build up with several underbases in plastisol.
Design preparation begins with the fabric color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, particularly on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small smell during curing, discharge days in the store are noticeable. Well-managed airflow reduces this, however it belongs to the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that eliminates uncertainty. A simple approach keeps surprises at bay and assists you struck due dates for launches and events.
Print on demand has its own constraints: fast art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure method. For styles that are high volume even at little daily quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are buying. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, typically a little uplift that can be reduced the effects of by picking a somewhat more affordable blank. If the program is for wholesale t t-shirts going into shops or e-commerce at superior rate points, the enhancement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it simple and sensible so the t-shirt survives real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure normal laundering if properly treated. I recommend phrasing care ideas in human terms on product pages: wash cold with similar colors, topple dry low, avoid material softeners if you desire colors to remain crisp. The last note matters since some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these instructions in-house: 2 identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little faster fading of mid-tones, yet still looked excellent. That tolerance originates from right cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of fighting joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that sell restricted runs can validate cut-and-sew for 100 to 300 pieces if the design necessitates it. The completed garments read as custom-made from a range, which is the goal.
One spring we ran a series for a local music festival. The client wanted soft black tees with a sunburst print that seemed like it lived in the material. We sampled on three blacks from two mills. Batch one raised cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temperature for the right duration. Use a donut probe or an embedded thermochromic strip to measure real ink movie temperature, not simply dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood in between prints, and control shop humidity.
A third mistake is overlooking material variability. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Build contingency into your acquiring. For brands planning ahead, selecting a standard blank and locking it with your provider minimizes surprises.
If your top priority is soft, breathable custom-made apparel that consumers keep using, water based inks deserve the learning curve. Use basic water based upon light garments for tidy information and matte color. Transfer to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for minor color variance with discharge, especially across color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then record your settings and hold back a reference shirt for quality control.
If you run a print on demand catalog, carve out a water based capsule of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a client rubs their thumb across a print and feels nothing but fiber, you've won. That's the minute water based and discharge provide, and why they should have a place in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515