Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant stress: the push for softer, more breathable prints that people really take pleasure in using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I choose inks, pretreatments, and fabrics for custom garments projects. Over the years, I've found out that water based inks and discharge printing are not just buzzwords, they are useful tools that produce lovely results and genuine comfort, particularly for T shirt printing that requires to stand up to day-to-day wear.
If you run a brand name, manage bulk t shirt orders, or just desire your individualized shirts to feel like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The right option can make the distinction between a t-shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a movie, water based inks take in into the fibers. That single particular discusses most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the shirt itself. For custom-made t shirts designed for comfort, this is the path to the "retail feel" customers ask for.
There are two main families: standard water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either require a much heavier print or you change to discharge. Discharge printing uses an activator that raises the dye from the material throughout curing, essentially whitening the shirt's dye in the printed areas, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, typically with outstanding detail.

Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks usually consist of less unpredictable organic substances than solvent-heavy options and prevent PVC entirely. Numerous are certified with strict standards like Oeko-Tex or satisfy retail screening programs that prohibit specific phthalates and heavy metals. If you offer custom apparel into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You also need to take a look at store practices: filtration on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, normally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee since they like the ink. They buy it because the garment looks great, feels great, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, provide you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend across the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers prefer, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, standard water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still dealing with a background that is shifting as the color is removed.
That's not a defect, it's part of the medium. Many designers welcome the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for business logos, either order test prints on the precise batch you prepare to use or consider a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just lifts the cotton part. That suggests your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on ended up garments, expect small voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which is useful on material however can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print space humidity in a steady variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent pace, lower clogging.
Curing is where numerous novices miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You desire even heat across the belt and enough dwell to reach the producer's cure temperature level throughout the ink layer, not just at the surface area. T-shirts exiting the tunnel ought to be dry to the touch without any cool areas. For discharge, the chemical reaction happens during this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon proper remedy and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints reveal progressive softening and a gentle fade in the same way denim unwinds. Plastisol's failure mode is various, normally cracking if the ink layer is too thick or under-cured. For personalized shirts that need to look proficient at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.

Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be a little slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, autos run at comparable speeds. Where it actually settles remains in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs over night turn-around and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t shirts with numerous colorways and should keep stock versatile, a versatile water based palette on light garments is efficient, since you avoid the weight and tightness that accumulate with multiple underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, specifically on high-absorbency cotton. If you need razor unfavorable space, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than relying on a digital mockup. A mockup can not record fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor odor during curing, discharge days in the shop are visible. Well-managed air flow alleviates this, but it becomes part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that gets rid of uncertainty. A basic method keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restrictions: quick art modifications, small batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize catalog method. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are buying. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, often a little uplift that can be reduced the effects of by picking a somewhat more cost-effective blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at exceptional cost points, the enhancement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Offer a base price with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Meeting both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and realistic so the shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will endure typical laundering if properly treated. I recommend phrasing care pointers in human terms on item pages: wash cold with comparable colors, topple dry low, avoid material softeners if you desire colors to remain crisp. The last note matters since some softeners can transfer movies on fibers, dulling the visual contrast of great lines.
I've checked these instructions in-house: 2 identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat faster fading of mid-tones, yet still looked good. That tolerance comes from proper treatment, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that offer limited runs can validate cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments read as custom-made from a range, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that felt like it resided in the material. We sampled on three blacks from two mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the ideal duration. Utilize a donut probe or an ingrained thermochromic strip to determine real ink film temperature level, not simply clothes dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood between prints, and control shop humidity.
A third mistake is overlooking fabric variability. If you change blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Develop contingency into your buying. For brands planning ahead, selecting a basic blank and locking it with your provider decreases surprises.
If your concern is soft, breathable custom-made apparel that consumers keep using, water based inks deserve the knowing curve. Usage basic water based upon light garments for tidy information and matte color. Transfer to discharge on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for minor color variation with discharge, particularly across color lots. For bulk t t-shirt orders, integrate in a single round of physical rush t shirt printing sampling on the actual blanks you will use, then document your settings and keep back a recommendation t-shirt for quality control.
If you operate a print on demand catalog, take a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, custom t-shirt printing breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the minute water based and discharge deliver, and why they deserve a location in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515