Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous tension: the push for softer, more breathable prints that people actually take pleasure in using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has shaped how I choose inks, pretreatments, and materials for custom-made garments projects. For many years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning results and genuine convenience, especially for T shirt printing that needs to stand up to everyday wear.
If you run a brand name, manage bulk t shirt orders, or merely want your tailored t-shirts to seem like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The best choice can make the difference between a shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a movie, water based inks soak up into the fibers. That single particular discusses most of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often indistinguishable from the shirt itself. For custom-made t shirts developed for convenience, this is the path to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a heavier print or you switch to release. Release printing uses an activator that raises the dye from the material throughout treating, basically bleaching the shirt's color in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically consist of less volatile natural compounds than solvent-heavy options and prevent PVC altogether. Numerous are certified with rigorous requirements like Oeko-Tex or satisfy retail testing regimes that prohibit particular phthalates and heavy metals. If you offer custom clothing into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You also need to look at shop practices: filtering on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run store, exposure is controlled and waste is captured. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most individuals do not buy a graphic tee due to the fact that they like the ink. They buy it because the garment looks great, feels good, and keeps that character after repeated washing. Water based inks, including discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases receive from heavy plastisol when you extend across the chest.
I keep a rack of contrast shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear customers choose, but the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge in a different way, even within the exact same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, but you're still working with a background that is moving as the color is removed.
That's not a defect, it belongs to the medium. Numerous designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color reproduction for business logos, either order test prints on the exact batch you prepare to utilize or think about a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton part. That indicates your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on ended up garments, expect small spaces along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a stable variety, approximately 45 to 55 percent, to avoid early drying. Manual press operators will discover how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent speed, reduce clogging.
Curing is where numerous novices miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the difference. You desire even heat across the belt and enough dwell to reach the manufacturer's treatment temperature level throughout the ink layer, not just at the surface area. T-shirts exiting the tunnel ought to be dry to the touch with no cool areas. For discharge, the chemical reaction takes place during this treatment, and you will Embroidery near me Jacksonville smell the activator. Good ventilation is non-negotiable.
Durability depends on correct remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and splitting. Water based prints show gradual softening and a gentle fade in the exact same method jeans relaxes. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For personalized t-shirts that require to look good at a family reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, automobiles perform at similar speeds. Where it actually pays off remains in viewed worth. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turnaround and art modifications continuously, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with multiple colorways and must keep stock flexible, a versatile water based combination on light garments is efficient, considering that you avoid the weight and tightness that accumulate with multiple underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you need razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I encourage against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor odor during curing, discharge days in the shop are noticeable. Well-managed air flow mitigates this, but it becomes part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that removes uncertainty. A basic method keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own restrictions: quick art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize brochure technique. For styles that are high volume even at little everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are purchasing. They get the soft hand that retail clients correspond with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, often a small uplift that can be reduced the effects of by choosing a somewhat more economical blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at premium cost points, the improvement in perceived value more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and realistic so the shirt makes it through reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure normal laundering if properly treated. I recommend phrasing care ideas in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid fabric conditioners if you want colors to remain crisp. The last note matters since some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've evaluated these instructions in-house: 2 similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly much faster fading of mid-tones, yet still looked good. That tolerance comes from proper cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting seams, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that sell restricted runs can validate cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that felt like it resided in the material. We sampled on 3 blacks from two mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temp for the ideal duration. Use a donut probe or an embedded thermochromic strip to measure real ink movie temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood between prints, and control store humidity.
A 3rd mistake is disregarding material irregularity. If you switch blanks mid-run because a size is out of stock, you may see shifts in color. Develop contingency into your acquiring. For brands planning ahead, selecting a standard blank and locking it with your supplier decreases surprises.
If your priority is soft, breathable custom-made garments that clients keep wearing, water based inks are worth the learning curve. Use standard water based on light garments for tidy information and matte color. Relocate to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for slight color difference with discharge, specifically throughout dye lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will use, then document your settings and hold back a referral shirt for quality control.
If you operate a print on demand brochure, take a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you have actually won. That's the moment water based and discharge provide, and why they deserve a location in any severe store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515