Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that individuals really delight in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has formed how I pick inks, pretreatments, and fabrics for customized apparel jobs. For many years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce gorgeous results and genuine convenience, especially for T shirt printing that needs to withstand everyday wear.
If you run a brand name, manage bulk t t-shirt orders, or just want your personalized shirts to seem like a favorite from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The ideal option can make the distinction between a shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks absorb into the fibers. That single particular discusses most of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the shirt itself. For custom-made t t-shirts designed for convenience, this is the path to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a much heavier print or you change to discharge. Release printing uses an activator that lifts the color from the material throughout curing, basically whitening the t-shirt's dye in the printed locations, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically consist of less volatile natural substances than solvent-heavy options and prevent PVC altogether. Lots of are certified with strict requirements like Oeko-Tex or satisfy retail screening programs that ban particular phthalates and heavy metals. If you sell custom garments into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also need to take a look at shop practices: purification on your washout booth, recover chemistry, bag and backpack embroidery energy use on your dryer, and even material sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run shop, exposure is controlled and waste is captured. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.
Most individuals do not purchase a graphic tee because they enjoy the ink. They purchase it since the garment looks excellent, feels great, and keeps that character after repeated washing. Water based inks, consisting of discharge, offer you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you extend throughout the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the user feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, however you're still dealing with a background that is shifting as the dye is removed.
That's not a defect, it's part of the medium. Many designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color recreation for corporate logos, either order test prints on the specific batch you plan to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be distributed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only lifts the cotton part. That indicates your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly blend, traditional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on finished garments, expect small spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on material however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a constant range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent rate, reduce clogging.
Curing is where numerous novices miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with enough airflow makes the distinction. You want even heat throughout the belt and adequate dwell to reach the producer's remedy temperature throughout the ink layer, not just at the surface. Shirts exiting the tunnel must be dry to the touch without any cool spots. For discharge, the chemical reaction occurs during this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and cracking. Water based prints show steady softening and a gentle fade in the exact same method jeans unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For customized shirts that require to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be a little slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, autos run at similar speeds. Where it actually pays off is in perceived worth. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires overnight turnaround and art changes continuously, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel compromises. When you take on wholesale t t-shirts with numerous colorways and need to keep stock flexible, a flexible water based scheme on light garments is effective, because you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design planning begins with the material color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color looks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, particularly on high-absorbency cotton. If you require razor unfavorable area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of trusting a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell during treating, discharge days in the shop are noticeable. Well-managed air flow alleviates this, however it belongs to the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of guesswork. A simple approach keeps surprises at bay and assists you hit deadlines for launches and events.
Print as needed has its own constraints: fast art modifications, small batch sizes, and the requirement for a broad color range. Direct-to-garment has become the default, but water based screen printing can fit POD if you organize brochure method. For styles that are high volume even at little everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I explain what they are purchasing. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, typically a little uplift that can be reduced the effects of by choosing a somewhat more cost-effective blank. If the program is for wholesale t shirts entering into shops or e-commerce at premium price points, the enhancement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and reasonable so the shirt endures reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will sustain typical laundering if properly treated. I recommend phrasing care suggestions in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent material softeners if you want colors to remain crisp. The last note matters since some softeners can transfer movies on fibers, dulling the visual contrast of great lines.
I've tested these instructions in-house: two similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked good. That tolerance comes from appropriate treatment, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of battling seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The completed garments read as custom from a range, which is the goal.
One spring we ran a series for a local music festival. The client desired soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on 3 blacks from 2 mills. Batch one raised easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The result: constant tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temperature for the right duration. Utilize a donut probe or an ingrained thermochromic strip to determine real ink movie temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood between prints, and control store humidity.
A 3rd pitfall is disregarding material variability. If you switch blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Develop contingency into your purchasing. For brands planning ahead, picking a basic blank and locking it with your provider reduces surprises.
If your top priority is soft, breathable custom apparel that customers keep wearing, water based inks are worth the knowing curve. Usage standard water based upon light garments for tidy detail and matte color. Relocate to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for minor color variance with discharge, especially throughout color lots. For bulk t shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then document your settings and keep back a referral t-shirt for quality control.
If you operate a print as needed catalog, carve out a water based capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. heat transfer vinyl When a consumer rubs their thumb throughout a print and feels absolutely nothing but fiber, you've won. That's the minute water based and discharge provide, and why they deserve a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515