Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people in fact enjoy using, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and materials for custom garments tasks. Over the years, I've learned that water based inks and discharge printing are not just jacket embroidery buzzwords, they are useful tools that produce stunning outcomes and genuine convenience, specifically for T shirt printing that needs to withstand everyday wear.
If you run a brand, handle bulk t t-shirt orders, or just want your personalized t-shirts to seem like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The ideal choice can make the distinction between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks take in into the fibers. That single characteristic discusses most of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically identical from the shirt itself. For custom t t-shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either need a heavier print or you switch to release. Release printing utilizes an activator that lifts the color from the fabric throughout treating, essentially bleaching the t-shirt's color in the printed areas, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, typically with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks typically contain fewer unpredictable organic compounds than solvent-heavy options and avoid PVC entirely. Many are compliant with rigorous requirements like Oeko-Tex or satisfy retail testing regimes that prohibit specific phthalates and heavy metals. If you offer custom garments into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to look at shop practices: purification on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is controlled and waste is captured. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most people do not buy a graphic tee due to the fact that they love the ink. They purchase it since the garment looks good, feels excellent, and keeps that character after duplicated cleaning. Water based inks, including discharge, provide you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear clients prefer, however the user feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it belongs to the medium. Lots of designers accept the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for business logos, either order test prints on the exact batch you plan to use or think about a water based underbase or hybrid technique where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton portion. That suggests your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, brilliant color on a Custom t-shirts poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and irregular pressure that appear as blank micro-gaps. If you need to print on completed garments, expect little voids along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which works on material however can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a stable range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will notice how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant rate, reduce clogging.
Curing is where lots of beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with enough airflow makes the distinction. You want even heat across the belt and sufficient dwell to reach the manufacturer's remedy temperature level throughout the ink layer, not just at the surface. T-shirts exiting the tunnel should be dry to the touch without any cool spots. For discharge, the chain reaction takes place throughout this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on proper cure and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and splitting. Water based prints reveal gradual softening and a mild fade in the exact same method denim unwinds. Plastisol's failure mode is different, normally breaking if the ink layer is too thick or under-cured. For individualized shirts that require to look proficient at a moisture wicking shirts family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be DTG printing a little slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars perform at comparable speeds. Where it truly settles remains in viewed worth. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires over night turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel compromises. When you take on wholesale t t-shirts with numerous colorways and need to keep stock flexible, a versatile water based scheme on light garments is efficient, since you avoid the weight and tightness that accumulate with numerous underbases in plastisol.
Design planning begins with the fabric color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a DTF and embroidery combo delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you require razor unfavorable area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than relying on a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor throughout curing, discharge days in the store are noticeable. Well-managed airflow alleviates this, but it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles often sink, and the effect is more satin than true metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that removes uncertainty. A simple method keeps surprises at bay and helps you hit deadlines for launches and events.
Print on demand has its own restrictions: quick art modifications, small batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you arrange catalog technique. For styles that are high volume even at small day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are purchasing. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a little uplift that can be reduced the effects of by picking a slightly more affordable blank. If the program is for wholesale t shirts entering into shops or e-commerce at exceptional price points, the enhancement in viewed value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it easy and sensible so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain normal laundering if correctly cured. I recommend phrasing care ideas in human terms on item pages: wash cold with similar colors, tumble dry low, avoid fabric conditioners if you want colors to stay crisp. The last note matters because some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've checked these directions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat much faster fading of mid-tones, yet still looked good. That tolerance originates from correct treatment, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The completed garments check out as custom from a range, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that felt like it lived in the fabric. We tested on three blacks from two mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temp for the best period. Use a donut probe or an ingrained thermochromic strip to determine real ink movie temperature, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood between prints, and control store humidity.
A 3rd pitfall is neglecting material variability. If you switch blanks mid-run because a size is out of stock, you might see shifts in color. Develop contingency into your acquiring. For brands preparing ahead, picking a basic blank and locking it with your provider decreases surprises.
If your concern is soft, breathable customized apparel that clients keep using, water based inks deserve the knowing curve. Usage standard water based on light garments for tidy detail and matte color. Move to discharge on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and plan for small color difference with discharge, particularly across dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the real blanks you will utilize, then document your settings and keep back a recommendation shirt for quality control.
If you operate a print on demand brochure, carve out a water based pill of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge provide, and why they deserve a location in any major store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515