Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that individuals really take pleasure in using, and the need to produce at scale without compromising the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and fabrics for custom apparel jobs. Throughout the years, I've learned that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and genuine comfort, especially for T t-shirt printing that requires to stand up to day-to-day wear.
If you run a brand, handle bulk t t-shirt orders, or simply want your personalized t-shirts to seem like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal choice can make the difference in between a t-shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks soak up into the fibers. That single particular describes the majority of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently identical from the shirt itself. For custom-made t t-shirts designed for comfort, this is the path to the "retail feel" customers ask for.
There are two primary families: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either need a much heavier print or you switch to discharge. Release printing utilizes an activator that raises the dye from the material during treating, basically bleaching the t-shirt's color in the printed areas, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally consist of less unstable organic compounds than solvent-heavy alternatives and prevent PVC altogether. Many are compliant with strict standards like Oeko-Tex or satisfy retail testing regimes that ban particular phthalates and heavy metals. If you offer custom clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at shop practices: filtering on your washout cubicle, reclaim chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, direct exposure is controlled and waste is caught. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee because they like the ink. They purchase it because the garment looks good, feels good, and keeps that character after repeated washing. Water based inks, including discharge, offer you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you stretch across the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients choose, but the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own dye. On white or heather light shirts, standard water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, however you're still working with a background that is shifting as the dye is removed.
That's not a defect, it belongs to the medium. Lots of designers accept the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color reproduction for business logo designs, either order test prints on the specific batch you prepare to utilize or think about a water based underbase or hybrid approach where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton portion. That implies your color fills the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on ended up garments, expect small voids along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a constant range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will see how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent rate, decrease clogging.
Curing is where lots of beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the difference. You desire even heat throughout the belt and adequate dwell to reach the producer's treatment temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel must be dry to the touch without any cool spots. For discharge, the chemical reaction takes place throughout this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on proper cure and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and cracking. Water based prints show steady softening and a mild fade in the same method denim unwinds. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look good at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, autos run at similar speeds. Where it really settles remains in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with numerous colorways and should keep stock flexible, a flexible water based palette on light garments is effective, because you prevent the weight and stiffness that build up with numerous underbases in plastisol.
Design planning begins with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill in with discharge, particularly on high-absorbency cotton. If you require razor negative space, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor throughout curing, discharge days in the store are visible. Well-managed air flow reduces this, however it is part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes uncertainty. A simple approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restrictions: fast art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize brochure method. For designs that are high volume even at little everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol task, I discuss what they are buying. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a small uplift that can be neutralized by choosing DTF and embroidery combo a somewhat more affordable blank. If the program is for wholesale t shirts going into shops or e-commerce at premium price points, the improvement in viewed worth more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it basic and sensible so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will endure normal laundering if correctly treated. I recommend phrasing care tips in human terms on item pages: wash cold with similar colors, topple dry low, prevent material conditioners if you want colors to remain crisp. The last note matters since some softeners can deposit films on fibers, dulling the visual contrast of fine lines.
I have actually tested these directions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked good. That tolerance originates from appropriate remedy, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The completed garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that felt like it resided in the material. We sampled on 3 blacks from two mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: consistent tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temp for the right duration. Use a donut probe or an ingrained thermochromic strip to determine true ink movie temperature, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control shop humidity.
A 3rd mistake is ignoring material irregularity. If you switch blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Develop contingency into your getting. For brands preparing ahead, selecting a standard blank and locking it with your provider lowers surprises.
If your priority is soft, breathable customized garments that customers keep using, water based inks deserve the knowing curve. Usage basic water based upon light garments for tidy detail and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for slight color difference with discharge, specifically throughout color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will utilize, then document your settings and keep back a reference t-shirt for quality control.
If you operate a print as needed catalog, carve out a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge provide, and why they deserve a location in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515