Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that individuals in fact delight in wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has shaped how I choose inks, pretreatments, and materials for custom-made clothing jobs. For many years, I've found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful outcomes and real convenience, specifically for T t-shirt printing that requires to stand up to day-to-day wear.
If you run a brand, manage bulk t shirt orders, or merely desire your personalized t-shirts to feel like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The best choice can make the distinction in between a shirt that gets used when and one merchandise printing that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks take in into the fibers. That single particular explains the majority of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often identical from the shirt itself. For custom t t-shirts developed for comfort, this is the course to the "retail feel" clients ask for.
There are 2 primary families: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a much heavier print or you change to release. Discharge printing uses an activator that lifts the dye from the fabric during treating, essentially bleaching the shirt's dye in the printed locations, then changes it with your pigment. The end result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally contain fewer volatile organic substances than solvent-heavy alternatives and avoid PVC completely. Numerous are certified with rigorous requirements like Oeko-Tex or fulfill retail screening regimes that ban particular phthalates and heavy metals. If you offer customized apparel into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at store practices: filtering on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge requires an activator, normally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, exposure is controlled and waste is captured. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most individuals do not purchase a graphic tee because they enjoy the ink. They buy it since the garment looks great, feels good, and keeps that character after duplicated washing. Water based inks, consisting of discharge, give you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often receive from heavy plastisol when you stretch throughout the chest.
I keep a shelf of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear customers choose, however the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Numerous designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color reproduction for business logo designs, either order test prints on the specific batch you plan to use or think about a water based underbase or hybrid method where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton part. That indicates your color fills the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on ended up garments, expect little voids along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a steady range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent speed, lower clogging.
Curing is where lots of novices miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient airflow makes the difference. You desire even heat throughout the belt and enough dwell to reach the maker's cure temperature level throughout the ink layer, not just at the surface area. Shirts leaving the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction occurs during this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon appropriate cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and breaking. Water based prints show progressive softening and a gentle fade in the same method jeans relaxes. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look good at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, automobiles run at similar speeds. Where it really settles remains in perceived value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t t-shirts with numerous colorways and need to keep stock flexible, a flexible water based scheme on light garments is effective, given that you avoid the weight and tightness that build up with numerous underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you need razor negative space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than trusting a digital mockup. A mockup can not record fiber interaction and color lift.
There are times I advise against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, especially with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell during treating, discharge days in the store are visible. Well-managed airflow reduces this, however it belongs to the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that removes guesswork. An easy technique keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restrictions: quick art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has actually ended up DTF printing being the default, but water based screen printing can fit POD if you organize catalog strategy. For designs that are high volume even at small day-to-day quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I explain what they are buying. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a little uplift that can be neutralized by choosing a somewhat more cost-effective blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at exceptional price points, the improvement in viewed value more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and realistic so the t-shirt makes it through real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will endure typical laundering if effectively cured. I recommend phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you desire colors to remain crisp. The last note matters due to the fact that some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I've evaluated these instructions in-house: two similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked good. That tolerance comes from appropriate remedy, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting seams, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The completed garments read as custom-made from a range, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that felt like it event t shirts resided in the fabric. We sampled on 3 blacks from 2 mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The result: consistent tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the team to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the needed temp for the ideal period. Use a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not simply dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood in between prints, and control store humidity.
A third pitfall is disregarding fabric variability. If you change blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Construct contingency into your getting. For brands preparing ahead, choosing a basic blank and locking it with your provider minimizes surprises.
If your top priority is soft, breathable custom garments that customers keep using, water based inks deserve the learning curve. embroidery for small businesses Usage standard water based upon light garments for tidy detail and matte color. Move to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for minor color difference with discharge, specifically throughout color lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will use, then document your settings and keep back a recommendation t-shirt for quality custom hoodies and tees control.
If you operate a print as needed brochure, carve out a water based capsule of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb across a print and feels absolutely nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they are worthy of a place in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515