Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that individuals really take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I choose inks, pretreatments, and fabrics for custom-made clothing projects. Throughout the years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful results and real comfort, particularly for T shirt printing that needs to withstand everyday wear.
If you run a brand, handle bulk t t-shirt orders, or just want your personalized shirts to feel like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The best option can make the difference in between a shirt that gets worn once and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks soak up into the fibers. That single characteristic describes most of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically equivalent from the t-shirt itself. For customized t shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are 2 primary families: standard water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either need a heavier print or you switch to release. Discharge printing uses an activator that lifts the color from the fabric throughout treating, essentially whitening the t-shirt's dye in the printed locations, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically include fewer unpredictable organic compounds than solvent-heavy options and avoid PVC entirely. Numerous are compliant with stringent requirements like Oeko-Tex or satisfy retail screening routines that prohibit particular phthalates and heavy metals. If you offer custom garments into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at store practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge needs an activator, usually based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is caught. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability hides in the details.
Most individuals do not purchase a graphic tee because they love the ink. They purchase it because the garment looks good, feels great, and keeps that character after duplicated washing. Water based inks, including discharge, offer you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you extend across the chest.
I keep a rack of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear clients choose, but the user feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own color. On white or heather light shirts, standard water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker Screen reclaiming cotton, discharge adds variables. Different dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a defect, it's part of the medium. Many designers embrace the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for business logo designs, either order test prints on the specific batch you plan to use or consider a water based underbase or hybrid approach where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just lifts the cotton part. That indicates your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vibrant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you must print on ended up garments, anticipate little spaces along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which works on material but can lock a mesh if you pause too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print room humidity in a consistent variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, minimize clogging.
Curing is where many novices miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You desire even heat across the belt and enough dwell to reach the maker's cure temperature throughout the ink layer, not just at the surface. T-shirts leaving the tunnel must be dry to the touch with no cool spots. For discharge, the chemical reaction happens during this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints reveal progressive softening and a mild fade in the exact same Halftone printing way jeans relaxes. Plastisol's failure mode is various, normally splitting if the ink layer is too thick or under-cured. For tailored shirts that require to look proficient at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, vehicles run at similar speeds. Where it really pays off is in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs over night turn-around and art changes constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with numerous colorways and should keep inventory flexible, a flexible water based combination on light garments is effective, since you prevent the weight and tightness that accumulate with numerous underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you require razor unfavorable space, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor throughout curing, discharge days in the store are noticeable. Well-managed air flow reduces this, but it is part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that gets rid of guesswork. A simple approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restraints: quick art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange catalog strategy. For styles that are high volume even at small everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship exact same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Customers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol task, I describe what they are buying. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, often a little uplift that can be neutralized by selecting a slightly more affordable blank. If the program is for wholesale t t-shirts going into stores or e-commerce at premium rate points, the improvement in viewed value more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it basic and realistic so the t-shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, however they will sustain normal laundering if correctly cured. I suggest phrasing care tips in human terms on item pages: wash cold with similar colors, tumble dry low, avoid material softeners if you desire colors to remain crisp. The last note matters since some softeners can deposit movies on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these instructions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly much faster fading of mid-tones, yet still looked good. That tolerance originates from right remedy, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer desired soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on three blacks from two mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the ideal period. Utilize a donut probe or an embedded thermochromic strip to determine real ink movie temperature, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control shop humidity.
A 3rd risk is ignoring material variability. If you switch blanks mid-run since a size runs out stock, you might see shifts in color. Construct contingency into your acquiring. For brand names planning ahead, selecting a standard blank and locking it with your provider decreases surprises.
If your concern is soft, breathable customized apparel that customers keep wearing, water based inks deserve the knowing curve. Usage standard water based upon light garments for clean detail and matte color. Transfer to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for minor color variance with discharge, especially throughout dye lots. For bulk t t-shirt orders, build in a single round of physical tasting on the real blanks you will utilize, then record your settings and hold back a referral t-shirt for quality control.
If you run a print on demand catalog, carve out a water based capsule of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge provide, and why they should have a place in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515