Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people really take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I select inks, pretreatments, and fabrics for customized apparel projects. Over the years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful results and genuine comfort, especially for T t-shirt printing that requires to withstand day-to-day wear.
If you run a brand, manage bulk t shirt orders, or merely want your customized shirts to feel like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The best option can make the distinction in between a t-shirt that gets worn when and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks absorb into the fibers. That single characteristic explains most of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the shirt itself. For customized t shirts designed for convenience, this is the course to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either need a much heavier print or you change to release. Discharge printing utilizes an activator that lifts the dye from the fabric throughout treating, essentially whitening the shirt's color in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks typically contain fewer unpredictable natural substances than solvent-heavy alternatives and prevent PVC altogether. Lots of are compliant with rigorous requirements like Oeko-Tex or satisfy retail screening programs that prohibit certain phthalates and heavy metals. If you offer custom garments into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at store practices: purification on your washout booth, recover chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, typically based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run store, exposure is controlled and waste is caught. If you're utilizing print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability hides in the details.
Most individuals do not purchase a graphic tee due to the fact that they enjoy the ink. They purchase it due to the fact that the garment looks great, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often obtain from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol Gildan blanks sample with the exact same art looks glossier and still pops more under severe light, which some streetwear clients choose, but the wearer feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is shifting as the dye is removed.
That's not a flaw, it's part of the medium. Numerous designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color recreation for corporate logo designs, either order test prints on the precise batch you plan to use or consider a water based underbase or hybrid method where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only raises the cotton portion. That indicates your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, vivid color on a poly blend, traditional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you need to print on ended up garments, anticipate custom hoodie printing small voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on material however can lock a mesh if you stop briefly too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a consistent range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will see how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, decrease clogging.
Curing is where many beginners miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient airflow makes the difference. You want even heat across the belt and adequate dwell to reach the producer's treatment temperature level throughout the ink layer, not simply at the surface. Shirts leaving the tunnel should be dry to the touch without any cool spots. For discharge, the chain reaction takes place throughout this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and splitting. Water based prints show steady softening and a gentle fade in the very same method jeans relaxes. Plastisol's failure mode is different, normally splitting if the ink layer is too thick or under-cured. For customized shirts that need to look good at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, cars run at comparable speeds. Where it really settles is in perceived value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with multiple colorways and must keep stock flexible, a versatile water based combination on light garments is efficient, considering that you avoid the weight and tightness that collect with multiple underbases in plastisol.
Design preparation starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can fill in with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I encourage against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor during curing, discharge days in the shop are obvious. Well-managed airflow mitigates this, however it becomes part of the process.
If a client needs metallics, puff, or specialized textures, Exposure unit plastisol or hybrid systems still own that space. Water based metallics exist, but the particles frequently sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that eliminates guesswork. A basic approach keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own constraints: quick art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has actually ended up being the minimum order quantity default, but water based screen printing can fit POD if you arrange catalog method. For styles that are high volume even at little everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I discuss what they are buying. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, often a small uplift that can be neutralized by choosing a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at premium cost points, the enhancement in viewed worth more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, options matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it easy and reasonable so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will withstand regular laundering if correctly cured. I suggest phrasing care pointers in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent material softeners if you desire colors to remain crisp. The last note matters because some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I've evaluated these instructions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly faster fading of mid-tones, yet still looked excellent. That tolerance originates from proper treatment, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of combating joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The completed garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from two mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temperature for the ideal duration. Utilize a donut probe or an embedded thermochromic strip to determine true ink film temperature, not just clothes dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood in between prints, and control shop humidity.
A third risk is neglecting fabric variability. If you change blanks mid-run since a size is out of stock, you might see shifts in color. Develop contingency into your acquiring. For brand names planning ahead, picking a standard blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable customized clothing that consumers keep wearing, water based inks deserve the knowing curve. Usage standard water based upon light garments for clean detail and matte color. Transfer to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for minor color variation with discharge, especially throughout color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will utilize, then document your settings and hold back a referral t-shirt for quality control.
If you operate a print on demand catalog, take a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge deliver, and why they should have a location in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515